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KNAC.COM – News – GWAR Guitarist Flattus Maximus Passes

GWAR Guitarist Flattus Maximus Passes By Tokemaster General, Contributor Thursday, November 3, 2011 @ 2:09 PM

GWAR’s David “Oderus Urungus” Brockie has issued the following statement regarding the passing of guitarist Cory Smoot (aka Flattus Maximus): “It is with a sense of profound loss and tragedy that the members of GWAR must announce the passing of their long time guitarist and beloved friend Cory Smoot, also known to thousands of metal fans worldwide as Flattus Maximus. Cory was found deceased this morning as the band prepared for a border crossing. There is no word as to the cause of death and the members of GWAR are completely shocked and devastated that this has occurred. At this point there is no word on arrangements and the disposition of the remainder of GWAR’s current North American tour, nor are there any details regarding long term plans. At this point we are just dealing with the loss of our dear friend and brother, one of the most talented guitar players in metal today. We ask that our fans and the media be respectful of our request for privacy for those that have suffered this terrible loss. A full statement will be coming in the next day or so, in the meantime please give your thoughts and your prayers to Cory, his family, and all the people that love him.”

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Vinyl Cave: Catch and release with Beggar’s Opera, Frijid Pink, Jamie Carr, Bay City Rollers, Leonard Cohen, Jim Peterik – Isthmus

Must reduce the stacks! Otherwise, these albums would probably sit around without being listened to again for quite a while… so it seems better to send them back into the wild. Well, except maybe for the Lenny.

Beggar’s Opera: Act One Some truly crazy cover art adorns a relatively crazy prog-rock opus featuring good heavy guitar, plus lots of Keith Emerson-ish classically-inspired and/or -recycled keyboards. The group was around for most of the ’70s (usually without the apostrophe), but from what I can tell by a quick online search this was their only U.S. release. (Verve, 1970)

Frijid Pink: Earth Omen The first two Frijid Pink albums are over the top, crazed blues rock/psych guaranteed to lower your IQ, and awesome in a sort of Vanilla Fudge-meets-MC5 way. Earth Omen, as it turns out, includes only drummer Rick Stevers from that version of the band. While the update may have possibly included more competent musicians, this is not necessarily an improvement for Frijid Pink. The blues-on-crack edge — for those who have heard their debut, think “I Wanna Be Your Lover” — is largely supplanted by generic hippierock moves. Album closer “Mr. Blood” is pretty cool, though. Despite years in the wilderness due to band management (including the fact that at one point a group including no original members legally controlled the name), drummer Stevers has continued to work to keep the band’s name alive all these years later. His current version of the group released a new album in 2011! (Lion, 1972)

Jamie Carr: Awakening One of the many obscure late ’60s-early ’70s releases on Capitol, this particular disc is intriguing due to the fact it is a cutout. Capitol normally recycled their returns rather than sending them out to the budget bins, so I’m not sure how this one escaped to live again. Anyway, Awakening is big, glossy ’60s pop-rock, produced by Artie Kornfeld. Carr wrote the whole thing, and his soul-influenced vocals alternate between rough-edged crooning and growlily Tim Rose-esque. Despite the psychedelic cover art, fans of that style will not be into much of this album, but fans of vaguely groovy ’60s proto-singer-songwriter efforts will dig it. FYI: This is not Southern soul singer James Carr. (Capitol, 1969)

Bay City Rollers: Once Upon a Star Sometimes when you see a record covered with a lot of continually descending price stickers, you should avoid it. This is the Rollers second album. It makes the Paley Brothers LP sound like GWAR. Heck, it makes “Saturday Night” sound like Black Sabbath Oh, teen idols, why can’t you rock? The song “Let’s Go” should do so, but will have to wait for an enterprising power pop band to cover it. And “Rock and Roll Honeymoon” gets points for trying. (Arista UK, 1975)

Leonard Cohen: Death of a Ladies Man The concept of this album even existing seems somewhat suspect: Combine the King of Spare with the Wall of Sound? Well, the evidence exists, though it was generally disparaged and quickly shunted to bargain bins at the time. In a 1977 interview in The New York Times with Janet Maslin, Cohen himself declares that he doesn’t like the record and that Spector essentially finished it without his input — but also that he loves Spector and the record is a classic, saying “This record is in the area of extremism. Sometimes that has its own appeal.” That about sums it up. It’s disorienting on first listen to hear Cohen’s plain vocal style engulfed in reverbed-out pop orchestrations. But in many cases, the tone of Cohen’s lyrics match the over the top frenzy whipped up by Spector. I mean, there’s a song here called “Don’t Go Home With Your Hard-on,” so any baiting of the faint-of-heart was intentional; this time the package also included some musical baiting for Cohen’s already existing fan base. Death of a Ladies’ Man is an album tailor-made to irritate fans of his earlier acoustic work and utterly confuse newcomers, so it’s no surprise that in the intervening years it has developed a devoted following. It’ll take me a few more spins to determine which camp I’m in. (Warner Brothers, 1977).

Jim Peterik: Don’t Fight the Feeling The first solo effort by the vocalist/guitarist/songwriter of Ides of March looks forward to what would be Peterik’s next band — Survivor — as a good chunk of that group’s lineup forms the backing band here. Don’t Fight the Feeling also sounds somewhat reminiscent of fellow Illinoisan hitmakers Styx at times. That’s no accident, since Tommy Shaw and James Young contribute backing vocals on most of the album. Between those two facts, one would probably guess that we’ve got some serious ’70s AOR going on here, and one would be correct. It’s solid Midwest rock, if lacking the garage-pop genius of the original teenage Ides of March or the horn-rock drive of that band’s “Vehicle” era. Peterik mostly sings in his natural voice here, rather than in David Clayton-Thomas mode. He still lives in the Chicago area, and remains busy as a professional songwriter and performer with several bands, including a re-formed Ides of March. (Epic, 1976).

Leadership tilt talk alive as Rudd stays low on pokies

“This is one of the issues that he’s using to wedge the Prime Minister” … Tony Abbott. Photo: Jordan Shields

KEVIN Rudd’s ongoing refusal to buy into the poker machine reform row is doing little to dampen speculation about his rekindled leadership ambitions.

For the second consecutive day yesterday, the Foreign Minister declined to comment on a pledge by the Opposition Leader, Tony Abbott, to abolish mandatory pre-commitment technology on poker machines should the government implement it.

The policy, which is a demand of the Tasmanian independent Andrew Wilkie, is causing great anxiety within Labor ranks, with MPs in NSW and Queensland being targeted by a multimillion-dollar campaign.

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Mr Wilkie will withdraw his support for the minority government should Labor fail to pass initial laws by May 31.

Mr Rudd has been reluctant to support the policy and, in the past two days, criticise Mr Abbott’s promise. There has been speculation within Labor for some time that Mr Rudd, if he took the leadership, would either call Mr Wilkie’s bluff, or render him irrelevant by rushing to an election.

Yesterday, Mr Rudd said he was too busy with the Commonwealth Heads of Government Meeting in Perth to join the debate sparked by Mr Abbott.

”It may be of surprise to you but I haven’t followed every detail of what Mr Abbott has said or read his transcripts, nor do I choose to engage in that debate here and now,” he said. ”I’ve got plenty of other things on my mind as the Foreign Minister of Australia. That debate can be had elsewhere.”

Simon Crean suggested there needed to be alternatives while, David Bradbury, who holds the western Sydney seat of Lindsay, said yesterday there should be a trial first of mandatory pre-commitment, which would require a gambler to set in advance how much they were prepared to lose. Even Mr Wilkie has flagged compromise, saying he would consider placing $1 maximum bets on all machines.

One government source said Mr Rudd spoke strongly against gambling when he was leader but did nothing about it.

Mr Abbott leapt on Mr Rudd’s refusal to engage. ”The fact that the Foreign Minister could not find it in his heart today on two occasions yesterday to support the Prime Minister’s policy on mandatory pre-commitment just makes it crystal clear that this is one of the issues that he’s using to wedge the Prime Minister out of the leadership,” he said.

Mr Abbott had problems of his own yesterday after the Herald reported the Western Australian Liberal backbencher Mal Washer was contemplating supporting the mining tax by crossing the floor or abstaining.

He was criticised by his colleagues yesterday and publicly dressed down by Mr Abbott.

Ex-NASCAR Sprint Cup Driver Jeremy Mayfield Arrested on Drug Charges: Fan’s Look

Former NASCAR Sprint Cup driver Jeremy Mayfield had a fairly successful career in racing that lasted from 1993 to 2009, when he was suspended indefinitely for violating NASCAR's substance abuse policy. He denied use of any illegal substance, and instead stated that it may have been an over the counter medication mixed with a legal prescription medication that caused the results of his drug test to be positive.

Jeremy Mayfield, better daysWikimedia Commons

The company that oversees NASCAR's drug testing system disagreed. Administrator, David Black, stated, "What we have is a clear violation of policy. In my many years of experience, I have never seen a violation like this due to the combination of over-the-counter or prescription products."

A judge subsequently lifted the suspension on a temporary injunction as Mayfield continued to deny the accusation and refused to consider rehabilitation. Just days after the judge's decision, Mayfield again tested positive for the substance that turned out to be methamphetamine. After two positive drug tests, the injunction was lifted and the driver remained suspended, despite continued denials of drug abuse.

It looks like NASCAR was right on this one. On Tuesday night, November 1, 2011, the 42-year-old was arrested after officers found suspected stolen goods worth almost $100,000 and methamphetamine, in addition to 40 guns. It's a sad end to Mayfield's illustrious career. The race car driver had five wins and 96 top-ten finishes over his 16 years in NASCAR . In 1987, at the age of 18, he was named the Kentucky Motor Speedway Rookie of the Year.

With frequent drug testing in most sports, it seems that substance abuse has lessened over the years, but it has taken the careers, and ruined lives, of many athletes.

Back to front comedy

The Irish Times – Monday, October 17, 2011

Demetri Martin is no traditional stand-up – his work is absurd, offbeat and wordplay-heavy, his delivery like a character from a Wes Anderson film made real. And he’s no one-trick pony, as his book of gags, crudely drawn illustrations and plans to break into film show. He talks to DAVIN O’DWYER 

DEMETRI MARTIN likes to make jokes with words – when you specialise in one-liners like he does, every word has to do a lot of work. So he writes funny anagrams, he writes funny haikus, he writes gags in which words are characters, he writes funny palindromes.

A chapter in his new book, This Is a Book , is called “ Palindromes for specific occasions ”. One example goes “Father trying to connect with his estranged son by offering him some pizza: ‘Son, I’m odd. Domino’s?’” In its offbeat sensibility, amusing awkwardness and linguistic cleverness, this might be the archetypal Demetri Martin joke: a mix of the inspired and the absurd, with an undercurrent of surrealism that still manages to resonate as sincere. It’s this formula that has seen him become one of the most acclaimed and beloved comedians in the US.

“I grew up in Jersey Shore; where that show takes place is precisely where I’m from,” he explains by phone from sunny California. “So this was not a hotbed of comedy culture. My access pre-internet was I go to the bookstore or I watch television. There were a lot of stand-up showcases, and on HBO there was Bill Cosby and Steven Wright, and similarly I’d go to the bookstore and found The Far Side , and I thought ‘Wow, there are so many ideas here’.”

Both Wright, the monotone king of the one-liner, and Gary Larson’s The Far Side cartoon shared a comedic efficiency, but their tone was radically different – in Martin, the one-liner and the crude line drawing have come together to act as complementary forms.

“I think in both cases maybe I’m just really attracted to the renewable resource of ideas. It’s the volume of the premise, there’s a perspective that emerges out of the interesting tapestry of all these drawings or jokes. Years later, when I started making my own stuff, that’s the root that it all grew out of for me.”

Martin was born in 1973 to a Greek Orthodox priest. Religion only crops up in his material as brief punchlines rather than a recurring theme, though he credits his late father’s weekly sermons as an early schooling in the art of amusing a crowd. He fostered an early ambition to become a lawyer, but dropped out of law school after two years when he decided that the stand-up life was the one for him, and the notion of Martin, with his floppy hair and hipster demeanour, working as a corporate lawyer is almost as absurdly amusing as one of his jokes.

THE COMEDY CAREER was slow at first, but in 2003 he travelled to Edinburgh for the first time with his show If I . . . “Edinburgh was extremely educational for me. American comics can spend their whole career without leaving the States, so I felt lucky I got there that first time, and I wanted to get back as often as I could. Now I haven’t been back in a while, and I miss it.”

British crowds were probably well-suited to his offbeat gags and quirky delivery, like a character from a Wes Anderson film made real. In performance, he radiates a knowing whimsy, and his perfect use of the pause elevates his material, which reads well on the page, from the merely amusing to the downright hilarious. The appeal of a Martin show is seeing the world and language and human nature through his unique prism. He promptly won the Perrier Award that first year, and returned every summer for four years. It was there he became lasting friends with David O’Doherty, in many ways a kindred comic spirit. His Vicar Street performance this week will be only his second Irish date, and he says getting to hang out with O’Doherty was a prime reason for making it back here.

After the initial success in Edinburgh, he managed to get some lucrative and profile-raising work with regular appearances on The Daily Show with Jon Stewart and on Late Night with Conan O’Brien . Stewart became a big champion, but his apolitical sensibility was slightly incongruous on such an avowedly political programme.

“I haven’t developed that part of my brain well enough. When I talk to friends at a party about political stuff I just get mad, and it does seem that the synapse doesn’t fire into satire. I just complain. It is just not for me.

“But if I sit in a park and just gaze at things and daydream, I feel ‘this is just great; I love it.’ It’s really escapist; somebody could easily accuse me of being irresponsible.”

His material might not have gelled with The Daily Show , but Stewart did produce his debut Comedy Central series, Important Things with Demetri Martin , which aired in 2009. The series was an acclaimed mix of his stand-up, featuring his trademark strummed guitars and flip-charts, as well as comedy sketches and animated gags. As a distillation of the quirky Demetri Martin aesthetic, it was perfect. Around the same time, though, Martin’s career took an unexpected digression when director Ang Lee and producer James Schamus cast him in the lead role in Taking Woodstock, about the characters behind the famed music festival. Martin’s central performance gave the slightly unfocused film a likeable substance and heart, and he has managed to nab a few small parts in subsequent films, including Steven Soderbergh’s forthcoming Contagion .

He is taking the movie thing seriously enough that he left Brooklyn, a seemingly natural habitat for a comic of Martin’s hipster credentials, and moved to California.

“I’m hoping in the next year or two to finish a script of my own that I can direct. Hopefully I’d be right to act in it too. That’s really exciting to me too, because essentially it’s like This Is a Book – another medium – and let’s see how my sensibility translates to it and if it works there.”

Will he be leaving the stand-up behind? “I really love doing stand-up, I’m just exploring this stuff, but stand-up is almost like a carbohydrate, where it’s this pretty quick turnaround, pretty quick feedback loop and high, and then it dissipates pretty quickly. Writing a movie is a much larger meal and takes time. It’s like planting crops and then tending to them and harvesting them and washing them off before I get to eat them, whereas comedy is just like popping an MM in your mouth.”

It’s probably no coincidence that Demetri Martin compares his art to the sweetest little palindrome of all.

Demetri Martin plays Vicar Street tomorrow.

This Is a Book is published by Penguin, €16.99 

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David Wang joins Response Biomedical’s board of directors

David Wang joins Response Biomedical’s board of directors by Bryan Cohen on October 21, 2011

Response Biomedical Corporation, a developer, manufacturer and marketer of rapid on-site diagnostic tests used for biodefense applications, announced this week that Dr. David Wang has been appointed to its board of directors as of October 11.   Wang is a senior managing director of Orbimed Asia and was most recently a managing director at WI Harper Group in a position responsible for healthcare investment in China. He earned his doctorate in developmental biology from the California Institute of Technology.   "Dr. David Wang brings a wealth of experience to our company and will undoubtedly make tremendous contributions to our success going forward", Dr. Peter Thompson, theexecutive chairman and interim CEO of Response Biomedical Corporation, said.   Wang previously served as head of business development at Siemens Medical Solutions, was the co-founder and executive vice president at First Genetic Trust and was the chairman of the SNP Consortium Management Committee during his tenure at Bristol-Myers Squibb. He received his M.D. from Peking University Medical School.   Response Biomedical has developed the RAMP platform for its on-site diagnostic tests, which provides high sensitivity and reliable information in minutes. In the non-clinical market, RAMP tests are provided for the environmental detection of West Nile Virus and biodefense applications, including the rapid on-site detection of anthrax, ricin, smallpox and botulinum toxin.

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‘Dancing with the Stars’ Week 4: Top 5 Moments

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2) David Arquette’s flying entrance. The “Scream” actor made quite the stage entrance, as partner Kym Johnson waited behind a cage apparatus for their paso doble to the theme from “Raiders of the Lost Ark.” Arquette even cracked the whip before “rescuing” his dance partner from danger.

“[You're] like an action hero, tight muscles and tight pants, ready to take us on a wild ride,” judge Bruno Tonoili told Arquette.

3) Ricki Lake’s “Psycho” dance tops scoreboard. The former talk-show host and her partner Derek Hough wowed the crowd for the second week in a row with a tango, as the theme song from “Psycho” played in the background. The pair, draped in slick black costumes, even toyed with the suspense theme and acted out a murder scene (in shadow form) at the end of their number. Lake and Hough go into Tuesday’s results show with the highest score of 29, just three points ahead of J.R. Martinez and Karina Smirnoff.

4) Nancy Grace covered up. Unlike the alleged wardrobe malfunction from two weeks ago (which the HLN host denied happened), Nancy Grace covered up in a black and gold dress for the paso doble with Tristan MacManus. The 51-year-old got the judges all riled up, with Carrie Ann Inaba giving Grace credit for being one of the older contests. But Len Goodman had other thoughts.

“I can’t get excited because it’s not exciting. No real performance, lacked expression. It was OK but I can’t get excited about it,” he said.

5) Donny Osmond and Dr. Phil. The unlikely pair sat together in the star-studded audience, which also included Courtney Cox and daughter Coco. “DWTS” fans know that in 2009, Donny Osmond took home the show’s top prize with Kym Johnson (who is paired with Arquette this season). As for Dr. Phil, he is scheduled to tape a show with the cast on Wednesday, as announced on his Web site.

'Dancing With the Stars'' David Arquette: Happy to End on a High Note

History shows that a member of the losing team on group night goes home the next day. That means Dancing With the Stars is probably about to bid adieu to Nancy Grace, J.R. Martinez or David Arquette.

And if it's Arquette, it doesn't seem like he'll be that discouraged.

"Len did call me a dancer," the actor told The Hollywood Reporter after Monday's show. "I set out to entertain people, learn more about myself, challenge myself, get in shape, have fun and learn how to dance. I've done all that."

STORY: Maksim Chmerkovskiy and Hope Solo Defend Awkward 'Dancing With the Stars' Moment

David and partner Kym Johnson earned a lot of praise for their Cha Cha Cha, but their scores left them second from the bottom, behind only Nancy Grace.

"We could be going home," said Kym. "There's a big chance of that. And if we are, we are, we'll just see what happens."

Kym says they could obviously accomplish a lot more before the finale, but the snafu during the opening of their routine — in which David misplaced the trick cane for their magician-themed dance — proved to her how much more confident he's become in the ballroom.  

"We've really come a long way," Kym said. "That freaked me out when we didn't have the cane. I was nervous for David because that was his start."

He's been really open about his nerves throughout the season, but if last night was any indication, he may have finally kicked them.

STORY: Kim Kardashian's Brother Rob Addresses Elephant in the Ballroom After 'Dancing With the Stars'

"There's some pressure there, especially being the first of the night," David said. "We had a lot of things go wrong tonight, and I still remained calm."

Something he hasn't overcome is the physical toll the show seems to take on the contestants body.

"Everything hurts. My knees hurt. My ankle hurts. My ribs hurt. I pulled my breast muscle," he said, laughing. "I mean, how do you do that?

Referendum period opens with ballot on CKUT and QPIRG

The fall referendum campaign period opens this week, and features two questions on whether QPIRG McGill and CKUT’s student fees should cease to be opt-outable via the Minerva online system and instead be refundable directly though each organization. Students will be able to vote on the questions from Nov 4-10.

Every five years, the Quebec Public Interest Research Group (QPIRG) and CKUT,  the official campus-community radio station, hold referenda in which the student body votes on the organizations’ existence. A ‘yes’ vote enables the groups to renew their Memorandum of Agreement (MoA) with the administration, a document that governs each group’s relationship with the administration. Both MoAs will expire in June 2012.  

Fee levy refunds were available through each individual group until fall 2007, when McGill moved opt­—outs online to Minerva. That same fall, the General Asembly voted to reinstitue the old system and in winter 2008, students passed a referendum mandating SSMU to lobby for an end to the Minerva opt-out system. The administration did not change the system either time.

Since the system changed, there has been a marked increase in opt—out rates for all opt-outable organizations, with a divergence of only 0.5 to 1.5 per cent across the different student groups. This semester, several campus organizations, including QPIRG and CKUT, mounted their own campaign in response to the opt-out campaign called “Our Campus, Our Community” to raise awareness of projects funded with student fees.

Drain on the organization

Anna Malla, QPIRG’s internal coordinator, explained that the primary reason for the referendum question was the current system’s drain on QPIRG’s human resources.

“It’s very difficult when [the opt-out campaign is] not held accountable by any rules or standards, but QPIRG obviously as an organization is, so one of the primary reasons is that it’s a huge drain on our human resources, on our board and staff,” Malla said. “A lot of time and energy is spent, is misspent in my opinion, in defending ourselves against the kind of attacks that are just baseless and against misinformation instead of focusing on the really great work that we do on campus.”

Caitlin Manicom, CKUT funding and outreach co-ordinator, explained that the reasons for CKUT’s referendum are very similar to QPIRG’s.

“We simply cannot continue to exist with this type of blanket opting out,” Manicom said. “It’s a huge, huge drain on us, not only financially but also organizationally. When you have unregulated opt-out campaigns happening on campus, they encourage students to opt out regardless and so they blanket opt out of a number of different organizations without learning anything about them.”

 Last year, the fee levy for QPIRG was approximately $186,000 before opt-outs and $156,000 after. This year’s projected values are $190,000 before and $157,000 after, Malla said. Similarly, CKUT’s projected budget for will be $16,020 less than it would be without online opt outs. Last year, its operating budget was decreased by $27,191 after opt-outs, out of a budget of $422,572. CKUT’s budget is much larger than QPIRG’s due to its sponsors and funding drives.

If QPIRG and CKUT were allowed to administer their own opt-outs, students would have to go over to the groups’ individual offices to receive their refund. Manicom said that CKUT also intends to set up a table in the SSMU building during the refund period so students can get a refund on campus in addition to CKUT.

Some students believe that the wording of the referenda question may pose some problems for voters. Stephen David, U3 mining engineering, noted that the question combines two very different issues.

“I don’t support or oppose either [QPIRG or CKUT], but the problem is they’re forcing people to accept their methodology regarding the opt-out process,” David said. “I [kind of] feel like I’m being screwed. If you want them to continue to receive funding, you have to accept the terms of their opt-out scheme. If you don’t want to fund them, they’ve made your life harder.”

When asked why the two questions were combined, Malla pointed again to the drain in resources arising from the current system.

“Our very existence is at stake with the current system, and that is both in terms of our human resources at QPIRG as well as in terms of not being able to predict our finances for the year,” Malla said. “We actually will not be able to continue to exist under the current system, so it is an existence question.”

The wording of the question may pose challenges to QPIRG and CKUT with the administration. Deputy Provost of Student Life and Learning Morton Mendelson declined to answer whether the university would return the opt-out  system to the 2007 system if the referenda passed, calling the situation “hypothetical.” Nevertheless, he stressed the need for referendum questions to be clear and to effectively reflect student opinions.

“We have asked student groups going to referendum for confirmation that students approve of their continuation to do so with a question that is clear and to the point.  A confusing question does not provide a clear answer,” Mendelson wrote in an email to the Tribune. “We have not been able to implement some fee referenda when the questions have been incomplete or ambiguous.”

A question of existence

Malla did not disclose QPIRG’s options in the case that the majority of students vote no to the referendum question, although she did say that becoming part of SSMU is not an option.

“This is a question that we’ll have to address after the results of the referendum,” Malla said. “But if we don’t get a ‘yes’ vote we will no longer receive undergraduate student funding … so essentially it would mean that our organization would not exist.”

A “no” vote for CKUT would reduce the organization’s funding by over a third and may also cause the radio station to lose its location and broadcast license, Manicom said. CKUT is not looking to continue as a club under SSMU.

 ”[CKUT occupies] two floors of the building that we exist in, a very large space, [with] over 300 volunteers … it is a campus-community radio station,” Manicom said. “I don’t think it’d make sense to be a club under SSMU. And I don’t think it would be financially feasible either.”

SSMU President Maggie Knight commented that an end to CKUT and QPIRG would have a notable effect on student life.

“If CKUT ceased to exist, that would be a huge blow to the Montreal community and a lot of students on campus that are very actively involved in radio production. We don’t have a journalism school … CKUT is the McGill school of radio in its own way,” Knight said. “As far as QPIRG goes … they have a lot of groups involved in a lot of causes, [and] many are dear to the heart of lots of students. It’s not only activism based on campus but also activism linked to the direct community.”

Yankees reliever Soriano won’t opt out

ST. LOUIS — If CC Sabathia opts out of his Yankees contract following the World Series he won’t have company on the way through the door.

According to Scott Boras, who represents reliever Rafael Soriano, his client isn’t going to exercise the opt out clause in his three-year deal.

“He adjusted to the [seventh- eighth-inning] role, liked being there with Mariano [Rivera] and he adjusted to New York City,” Boras said of Soriano, who pitched much better after returning from an extended stay on the disabled list with right elbow inflammation. “The player is happy there.”

Soriano is scheduled to make $11 million next year and $14 million in 2013. There is a $1.5 million buyout for each year on a deal general manager Brian Cashman was against, believing that was too much for a setup man.

The Yankees news are expected to pick up Nick Swisher’s $10.25 million option for next year. Nevertheless, there is a possibility they will trade the switch-hitter who has been productive during three regular seasons and struggled in all three postseasons.

Boras praised the Yankees for essentially employing two closers in the same bullpen and predicted other teams — Milwaukee used it in the second half of the season — will copy.

“I give the Yankees a lot of credit, they used the platform well,” Boras said. “At first [clubs] will say we are overpaying. Then it’s oh my [gosh], we are winning a lot of games.”

Even Soriano’s injury helped because the Yankees moved David Robertson into the eighth-inning role where he excelled. When Soriano returned on most nights he pitched in front of Robertson.

Before going on the disabled list from the middle of May until the end of June, Soriano’s ERA was a bloated 5.79 ERA and he looked very uncomfortable in the Yankees’ spotlight.

After the elbow inflammation subsided, Soriano’s ERA in the final two months was 3.48 and he fanned 24 batters in 23 1/3 innings.